Steven Spielberg

Steven Spielberg Reveals Which ‘Indiana Jones’ Is His Least Favorite (No, Not That One)
Steven Spielberg Reveals Which ‘Indiana Jones’ Is His Least Favorite (No, Not That One)
Steven Spielberg Reveals Which ‘Indiana Jones’ Is His Least Favorite (No, Not That One)
Steven Spielberg, prolific and legendary as he is, has had plenty of flops in his time, and he’s not afraid to let everyone know which of his many film children he likes the least. While making the new documentary Spielberg, documentarian Susan Lacy spent more than 30 hours interviewing her subject, and during some of those sessions he told her which of his Indiana Jones films he likes the least. No, it’s not that one.
HBO’s ‘Spielberg’ Doc to Premiere This Fall With Rare Footage and Tons of Interviews
HBO’s ‘Spielberg’ Doc to Premiere This Fall With Rare Footage and Tons of Interviews
HBO’s ‘Spielberg’ Doc to Premiere This Fall With Rare Footage and Tons of Interviews
HBO is turning the camera around on one of the most iconic filmmakers of our time with a new documentary exploring the prolific filmography of beloved director Steven Spielberg. Set to premiere this fall, Spielberg features behind-the-scenes footage from some of the director’s most famous films and boasts an interview roster that is absolutely stacked with talent — including J.J. Abrams, Christian Bale and Oprah Winfrey.
‘Jurassic World’ Review: The Park Is Open and Full of Dumb People
‘Jurassic World’ Review: The Park Is Open and Full of Dumb People
‘Jurassic World’ Review: The Park Is Open and Full of Dumb People
When all you care about is money, bad things happen. That’s the message of Jurassic World, where greedy theme-park executives hoping to spike attendance engineer the “Indominus Rex,” a genetically-modified dinosaur that immediately turns on its creators and runs amok. Designed as a cautionary tale about the dangers of building a meaner, badder monster purely for the sake of profits, Jurassic World works equally well as a cautionary tale about doing the same thing in movies. All of the rationalizations provided by Jurassic World’s employees — “Consumers want them bigger, louder, more teeth.” “Somebody’s gotta make sure this company has a future!” — could have been taken directly out of the mouths of the studio executives who approved this gene splice of a reboot and a sequel. Their creation — the Indominus or the movie, there’s basically no difference — is as advertised; huge, mean, and visually striking. But this experiment is not without consequences.

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