Charles Bramesco

Kenya Barris will write, and Eddie Murphy‘s expected to reprise his starring role.

Sarah Connor is coming back for the sixth ‘Terminator’ film, but don’t think too hard about the temporal paradoxes this will produce.

The esteemed director of ‘The Exorcist’ will add a bit of spookiness to ‘Treehouse of Horror XXVIII.’

The movie studio has set plans for a Hunger Games/Twilight-themed amusement in South Korea.

It may be hard to believe now, but there was once a time when studios would wait until a release had proven itself at the box-office before investing in a massive franchise around it. But the likes of DC, Marvel, and the future firee at Universal who came up with the Dark Universe boondoggle have now set a standard of placing the cart before the horse, and other studios cannot help but follow suit. Fox is the latest showbiz entity to go all-in on an untested concept, banking that the respectable profits generated by that Goosebumps movie from 2015 that you’ve already forgotten about shall be a bellwether for future riches.

As The Conjuring’s demonically possessed plaything Annabelle gains in popularity, it’s in murder-doll Chucky’s best interest to get back in the public eye and remind us of who’s the real top dog. Maybe Annabelle’s been stronger at the box-office as of late, but put the two toys mano-a-plastic-mano? Not even a fair fight. Chucky’s simply more sadistic; he really and truly hates people and loves killing them. That quality of violence alone sets his tiny head and tiny shoulders above the rest. In case anyone needed a refresher, we now have the Cult of Chucky trailer.

As Shane Black works on his planned Predator reboot, details continue to leak out of the production. The latest concerns a new casting notice with greater significance than one might think – an Easter egg embedded in a specific actor’s mere presence. Friends, the Busey family legacy is about to be carried on by the next generation.

The latest addition to the pantheon of mega-flops has been christened. Just as street hooligan Arthur instantly ascended to royalty when he pulled Excalibur from its stone, King Arthur: Legend of the Sword has descended to ignominy by pulling a turd out of the box-office. Perhaps not my best lede work, but it’s Monday. Cut a guy some slack.

We‘ve only just entered May, but in the first few months of 2017, the year has yielded a surprisingly eclectic array of blockbusters. Survey the biggest earners to date, and you’ll see a socially critical horror flick from a first-time director, a spin-off based on a cross-property licensing deal within a corporate brand expansion, and a tough-as-nails superhero side project with post-apocalyptic Western overtones. The latest Fast and Furious installment looks most at home in the top five so far, but more unexpected still is that it’s been handily defeated by the year’s top earner, Disney’s handsomely mounted revival of Beauty and the Beast. And now, the unlikely box-office behemoth has claimed another record.

Just as the nation’s mushroom-takers have begun to hit up their connections in preparation for this May’s opening of the lush, psychedelic new amusement park Pandora — The World of AVATAR, yet another attraction has appeared on the horizon. At present, Star Wars superfans can immerse themselves in the fantasy universe with the series of films, novels, spin-off films, animated television programs, various board games, and Disneyland’s popular Star Tours ride. But some diehards demand more, a fuller and more transportive experience. And Disney CEO Bob Iger has some great news for them. (And less-great news for everyone else.)