In a week devoid of any major releases, we still saw some major changes at the box office, with familiar faces like Kong: Skull Island, Power Rangers, and Get Out (RIP) all falling from the Top 10 in favor of new releases or aggressively expanding art films. Of course, not everything was different; if you read these box office reports every weekend, I’ll bet you can name the top three movies (in order) with minimal effort. Here’s the weekend box office projections as of Sunday afternoon:
It looks like 20th Century Fox is in a release date kinda mood. After James Cameron used his film’s Facebook page this morning to share the premieres of his next four Avatar sequels, Fox has also announced the release dates for its upcoming slate of Marvel movies, including Deadpool 2, New Mutants, and the next film in their X-Men franchise, X-Men: Dark Phoenix. For the five Gambit fans in the house who thought this might finally be their moment, well, sorry guys, that one’s still in development hell.
Audiences don’t turn their back on family. That’s the lesson to be learned from this past weekend, anyways, when The Fate of the Furious proved that this is one franchise showing no signs of slowing down. It was never a question of whether The Fate of the Furious would take the top spot this weekend, but even the most optimistic of projections couldn’t have expected the global domination that this movie undertook. Here’s the box office estimates as of Sunday afternoon:
One of the most debated plots points of Star Wars: The Force Awakens has been the lineage of Daisy Ridley’s Rey. Could she be the daughter of Luke Skywalker? The daughter of Obi-One Kenobi? The daughter of… actually, come to think of it, those are the only two human Force-users we’ve met since the original Star Wars movie, so it’s either a very familiar face or someone totally out of the blue. Regardless, fans have now spent two years not knowing something about their favorite character, and that’s a long, long time for knowledge to be withheld in 2017. They’re ready for answers.
Alright, a gold friggin’ star to the person who thought of this one. With the new season of Mystery Science Theater 3000 hitting Netflix today, most of the conversation has been dominated by lifelong fans of the show — fans like myself — who are some combination of excited and apprehensive about the return of their favorite television series. But what about the next generation of MST3K fans? How does Netflix introduce them to their service? Why, by riffing on another Netflix property that everyone already knows and loves, of course!
In a parallel universe where Paramount Pictures doesn’t alienate its fanbase, we might be talking about Ghost in the Shell as the big winner of this weekend and the de facto start of a new wave of Japanese Hollywood adaptations. Instead, DreamWorks Animation and The Boss Baby blew up the box office, no doubt delighting a handful of DreamWorks executives who watched the Ghost in the Shell controversy unfold with glasses of champagne in hand. After all, nobody’s going to boycott a movie about a baby who wears a suit.
It might be a tale as old as time, but audiences have proven there’s still a few petals left on that old flower. Despite being projected to open at somewhere between $214–245 million worldwide, Beauty and the Beast knocked the pants off those projections, eclipsing $350 million at the international box office and setting a March record for domestic releases along the way. Let’s take a look at how things shook out this past weekend with some of the expected grosses.
While the giant ape in Kong: Skull Island may not climb any New York skyscrapers this time around, he certainly did climb the box office charts. The latest Warner Bros. monster movie shot all the way to the top spot in its opening weekend, with Logan and the surprising hit Get Out both shifting one spot down to accommodate him.
With Hugh Jackman’s Logan opening in theaters this weekend, the top spot of this list was never in doubt. The questions were always whether audiences would respond well to the first major R-rated superhero movie. Was the big opening of Deadpool an abberation or a sign of things to come? If today’s numbers are any indication, the answer is, maybe a little bit of both.
As a teenager in the ’90s, no actor better represented blockbuster movies than Bill Paxton. Although Paxton wasn’t typically a leading man in those movies — he would often play the brother, the second-in-command, or the comic relief — he served as a kind of talisman of quality. If you saw Paxton’s name in the opening credits of a movie, you knew that the film was going to be better for it.
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